b. T B C
Morus Quin is a Naarm based artist working across, performance, printmaking, painting and jewellery. Quin’s work maps out culturally modified perspectives of the body, inhabiting both feminist and medical perspectives. They unravel the impacts of trauma on the body, seeking to understand the body’s processes of activity and decay in response to trauma.
Through their Chinese and American background and her studies in Traditional Chinese Medicine, Quin works to expand our cultural narratives of both the body and identity and bring this expanse into a colliding, clashing and harmonsing unity.
For inquiries and commissions contact:
Email: morusquin@gmail.com
Instagram: morus.quin
Morus Quin is a Naarm based artist working across, performance, printmaking, painting and jewellery. Quin’s work maps out culturally modified perspectives of the body, inhabiting both feminist and medical perspectives. They unravel the impacts of trauma on the body, seeking to understand the body’s processes of activity and decay in response to trauma.
Through their Chinese and American background and her studies in Traditional Chinese Medicine, Quin works to expand our cultural narratives of both the body and identity and bring this expanse into a colliding, clashing and harmonsing unity.
For inquiries and commissions contact:
Email: morusquin@gmail.com
Instagram: morus.quin
2014 - 2018 Bachelor of Fine Arts, National Art School, Sydney
2020 - Current Bachelor of Traditional Chinese Medicine, Western Sydney Univeristy
A W A R D S + G R A N T S
2020 - Inner West Council Creative and Cultural Reslience Grant
2018 - National Art School Studio W Exhibition
2015 - William Fletcher Foundation Grant
E X H I B I T I O N S
UPCOMING July - Firsdraft Sydney
2021 - Behind the Roller Door, Backyart Collective, Sydney
2021 - Untitled, Traffic Jams Gallery, Nuetral Bay Sydney
2021 - Tear Drop Emoji, Point Five Gallery, Sydney
2021 - Urban Planning at Sustainable Share Houses, Sydney
2021 - Pop Crimes, Performance at Join the Dots, Sydney
2020 - Sustainable Share Houses Launch, Sydney
2020 - Tough Love, Brunswick Street Gallery, Melbourne
2019 - Inner West Studio Trail, Marrickville
2019 - Line of Consciousness, Ambush Gallery, Sydney
2019 - Studio W, Woolloomooloo, Sydney
2019 - Dark Cinema, Performance at 107 Projects. Redfern, Sydney
2018 - National Art School Undergraduate Show - Darlinghurst, Sydney
2018 - Women In Music Empowerment Day, Performance at Miss Peaches, Sydney
2018 - Bedrock Collective Birthday Blow Out. Collaborative performance with Henry Holder, Sydney
2018 - Femmyurism, Yellow Dot Gallery, Newtown
2018 - Nodding Puppets, Tekminimal, Petersham
2018 - Wild Things, Performance at PACT Theatre, Sydney
2018 - Dark Cinema #2, Flow Studios, Sydney
2018 - Yeah Nah Yeah #9, Marrickville
2018 - Moonlit Words , Flow Studios, Sydney
2018 - Early Morning Hideout, Alpha House Gallery
2018 - Momentary, Gallery Aurora, Sydney
2017 - National Art School Drawing Graduate Exhibition
2017 - The Beholders Eye, Gallery Aurora, Sydney
2016 - Yeah Nah Yeah, Marrickville
2016 - Heavy Gaze Exhibition, Gallery 504
P U B L I C A T I O N S
2020 - Soft Stir Magazine Issue #1
2020 - Interview with Fluid Thinking Magazine
2018 - Happy Mag Interview
2018 - Sydney vs Sydney Yeah Nah Yeah
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I pay my respects to the First Nation custodians of this land and to those who continue to act in a custodial way towards this land. My practice takes place on the grounds of Gadigal and Wangal Land of the Eora Nation.
T H I S A L W A Y S W A S A L W A Y S W I L L B E A B O R I G I N A L L A N D
I pay my respects to the First Nation custodians of this land and to those who continue to act in a custodial way towards this land. My practice takes place on the grounds of Gadigal and Wangal Land of the Eora Nation.
T H I S A L W A Y S W A S A L W A Y S W I L L B E A B O R I G I N A L L A N D